As politicians haggle at a U.N. climate conference in Poland over ways to limit global warming, the industries and machines powering our modern world keep spewing their pollution into the air and water.

The fossil fuels extracted from beneath the Earth’s crust — coal, oil and gas — are transformed into the carbon dioxide that is now heating the planet faster than scientists had expected even a few years ago.

The devastating wildfires, droughts, floods and hurricanes of recent months and years are intensifying the urgency of the two-week conference in Katowice, which is due to end Friday.

But not far from the conference center, plumes of smoke rise from Europe’s largest lignite, or brown coal, power plant, in the central Polish town of Belchatow. Of the 50 most polluted cities in the European Union, 36 are in Poland.

IN PHOTOS: The Urgency of Climate Talks 

Elsewhere, from the U.S. to Japan and China, the coal plants, oil refineries and other installations needed to power factories and heat homes are playing their role in a warming Earth.

The negotiators at the international talks are also discussing financial support to poor countries, which are bearing the brunt of drought and flooding, which translate often into agricultural disaster and famine and are a factor behind greater migration.

The challenge of reducing emissions is made more difficult by the growing demand in the developing world for fuel as people there also seek to achieve the benefits and comforts of the industrialized world.

In Africa and Asia, which have become dumping grounds for the rich world’s waste, it is now common to see poor people scavenging for scraps of paper and other recyclable materials at garbage dumps, competing sometimes with crows or storks.

Fumes from cars are also playing their role in poisoning the air in many cities, from Jakarta and Katmandu to Moscow to Brussels.

Environmentalists in Katowice are warning that time is running out to prevent ecological disaster, a message also being taken up by artists.

In London, 24 large blocks of glacial ice from the waters surrounding Greenland have been placed in front of the Tate Modern and six at other city locations. Danish-Icelandic artist Olafur Eliasson hopes his installation, called “Ice Watch” and launched Tuesday to coincide with the climate conference in Katowice, will impact people emotionally and inspire urgent public action.

The installation will be on show until the ice melts.
…

Spanish prosecutors are charging pop music star Shakira with tax evasion, alleging she failed to pay more than 14.5 million euros ($16.3 million) between 2012 and 2014.

The charges Friday allege Shakira listed the Bahamas as her official residence for tax purposes during those years but was in fact living in Spain with her partner, Spanish soccer player Gerard Pique.

Prosecutors in Barcelona say her travel abroad was for short periods because of professional commitments, while most of the year she stayed in Spain. They want her to pay tax in Spain on her worldwide income.

The Colombian singer officially moved to Spain for tax purposes in 2015.

A magistrate will assess whether there is enough evidence to put Shakira on trial.

Shakira’s representatives said they had no immediate comment.
…

Grammy award winning singer Nancy Wilson has died. She was 81 years old.

Wilson, who retired from touring in 2011, died late Thursday  after a long illness at her home in Pioneertown, a California desert community.

Wilson referred to herself as a “song stylist” instead of a singer and she did have a way of styling a song to make it her own.

Probably her best-known and most stylized song is “Guess Who I Saw Today,” a tour de force of cool  in which she ever so patiently waits for her lover to come home so she can share the details of her day.  

She sweetly asks him, “Guess who I saw today” after stopping in “a most attractive French cafe and bar.”  

She saw two people “so in love even I could spot it clear across the room.”  

And then she teases, asking over and over “Guess who I saw today” and finally and dramatically  reveals  “I saw you.”

Wilson resisted being identified with any one genre of music, winning musical accolades in several categories, from R&B to jazz and funk..

“How Glad I Am” brought her a Grammy in 1965 for best R&B performance, and she later won Grammys for best jazz vocal album in 2005 for the intimate “R.S.V.P (Rare Songs, Very Personal)” and in 2007 for “Turned to Blue,” a showcase for the relaxed, confident swing she mastered later in life. The National Endowment for the Arts awarded her a “Jazz Masters Fellowship” in 2004 for lifetime achievement.

Wilson also had a busy career on television, film and radio, her credits including “Hawaii Five-O,” “Police Story,” the Robert Townsend spoof “Meteor Man” and years hosting NPR’s “Jazz Profiles” series. Active in the civil rights movement, including the Selma march of 1965, she received an NAACP Image Award in 1998.

Wilson listed Nat King Cole, Dinah Washington and Jimmy Scott among her influences.  

The Associated Press reports that in accordance with Wilson’s wishes, there will not be a funeral service.  Instead, a celebration of her life will likely be held in February, her birthday month.
…

Nancy Wilson, the Grammy-winning “song stylist” and torch singer whose polished pop-jazz vocals made her a platinum artist and top concert performer, has died.

Wilson, who retired from touring in 2011, died after a long illness at her home in Pioneertown, a California desert community near Joshua Tree National Park, her manager and publicist Devra Hall Levy told The Associated Press late Thursday night. She was 81.

Influenced by Dinah Washington, Nat “King” Cole and other stars, Wilson covered everything from jazz standards to “Little Green Apples” and in the 1960s alone released eight albums that reached the top 20 on Billboard’s pop charts. Sometimes elegant and understated, or quick and conversational and a little naughty, she was best known for such songs as her breakthrough “Guess Who I Saw Today” and the 1964 hit “(You Don’t Know) How Glad I Am,” which drew upon Broadway, pop and jazz.

No labels, please

She resisted being identified with a single category, especially jazz, and referred to herself as a “song stylist.”

“The music that I sing today was the pop music of the 1960s,” she told The San Francisco Chronicle in 2010. “I just never considered myself a jazz singer. I do not do runs and — you know. I take a lyric and make it mine. I consider myself an interpreter of the lyric.”

Wilson’s dozens of albums included a celebrated collaboration with Cannonball Adderley, “Nancy Wilson/Cannonball Adderley,” a small group setting that understandably could be called jazz; “Broadway — My Way”; “Lush Life”; and “The Nancy Wilson Show!” a best-selling concert recording. “How Glad I Am” brought her a Grammy in 1965 for best R&B performance, and she later won Grammys for best jazz vocal album in 2005 for the intimate “R.S.V.P (Rare Songs, Very Personal)” and in 2007 for “Turned to Blue,” a showcase for the relaxed, confident swing she mastered later in life. The National Endowment for the Arts awarded her a “Jazz Masters Fellowship” in 2004 for lifetime achievement.

Wilson also had a busy career on television, film and radio, her credits including “Hawaii Five-O,” “Police Story,” the Robert Townshend spoof “Meteor Man” and years hosting NPR’s “Jazz Profiles” series. Active in the civil rights movement, including the Selma march of 1965, she received an NAACP Image Award in 1998.

Wilson was married twice — to drummer Kenny Dennis, whom she divorced in 1970; and to Wiley Burton, who died in 2008. She had three children.

Chose her profession at age 4

Born in Chillicothe, Ohio, the eldest of six children of an iron foundry worker and a maid, Wilson sang in church as a girl and by age 4 had decided on her profession. She was in high school when she won a talent contest sponsored by a local TV station and was given her own program. After briefly attending Central State College, she toured Ohio with the Rusty Bryant’s Carolyn Club Big Band and met such jazz artists as Adderley, who encouraged her to move to New York.

She soon had a regular gig at The Blue Morocco and got in touch with Adderley’s manager, John Levy.

“He set up a session to record a demo,” Wilson later observed during an interview for the Los Angeles Philharmonic. “Ray Bryant and I went in and recorded ‘Guess Who I Saw Today,’ ‘Sometimes I’m Happy,’ and two other songs. We sent them to Capitol and within five days the phone rang. Within six weeks I had all the things I wanted.”

First album in 1959

Her first album, “Like in Love!,” came out in 1959, and she had her greatest commercial success over the following decade despite contending at times with the latest sounds. Gamely, she covered Beatles songs (“And I Love Her” became “And I Love Him”), Stevie Wonder’s “Uptight (Everything’s Alright)” and “Son of a Preacher Man,” on which she strained to mimic Aretha Franklin’s fiery gospel style. She was so outside the contemporary music scene an interviewer once stumped her by asking about Cream, the million-selling rock trio featuring Eric Clapton.

“It took me years to know what that question was about. Remember, I was constantly working or I was traveling to perform. The ’60s for me were about work,” she told JazzWax in 2010.

In the 1970s and after, she continued to record regularly and perform worldwide, at home in nightclubs, concert halls and open-air settings, singing at jazz festivals from Newport to Tokyo. She officially stopped touring with a show at Ohio University in September 2011, but had been thinking of stepping back for years. When she turned 70, in 2007, she was guest of honor at a Carnegie Hall gala. The show ended with Wilson performing such favorites as “Never, Never Will I Marry,” “I Can’t Make You Love Me” and the Gershwin classic “How Long Has This Been Going On?”

“After 55 years of doing what I do professionally, I have a right to ask how long? I’m trying to retire, people,” she said with a laugh before leaving the stage to a standing ovation.

In accordance with Wilson’s wishes, there will be no funeral service, a family statement said. A celebration of her life may be in February, the month of her birth.

She is survived by her son, Kacy Dennis; daughters Samantha Burton and Sheryl Burton; sisters Karen Davis and Brenda Vann and five grandchildren.
…

Janet Jackson joins her brother Michael and the Jackson 5 as members of the Rock and Roll Hall of Fame, earning induction on Thursday along with Stevie Nicks and the top fan vote-getter, Def Leppard.

Radiohead, the Cure, Roxy Music and the Zombies will also be ushered in next spring at the 34th induction ceremony. It will be held March 29 at Barclays Center in Brooklyn.

Jackson’s induction comes after her third time as nominee and many saw it as overdue, given her prowess as a hitmaker with “All For You,” “That’s the Way Love Goes,” “Nasty,” “Together Again” and “What Have You Done For Me Lately.”

Her career suffered from the fallout after the infamous 2004 Super Bowl appearance where her bare breast was briefly exposed by Justin Timberlake; both said it was a mistake.  

Jackson became eligible for the rock hall in 2007 and wasn’t nominated until 2016.

The Roots’ Questlove, in a social media post earlier this year, said her exclusion had been “highly criminal.” He cited the influence of her 1986 album “Control,” which he said set off the New Jack Swing trend.

 “This was no one’s kid sister,” he wrote.

Jackson said on Thursday: “Thank you Rock and Roll Hall of Fame. I am truly honored and I am happy to be in there with my brothers.” 

It will be Nicks’ second induction into the rock hall, since she’s already there as a member of Fleetwood Mac. She launched a solo career in 1981 with her duet with the late Tom Petty, “Stop Draggin’ My Heart Around.” Other hits followed, including “Edge of Seventeen,” “Stand Back” and “I Will Run to You.”

Def Leppard earned more than half a million votes from fans, which are incorporated into more than 1,000 ballots from artists, historians, industry professionals and past winners in deciding who gets honored. The British heavy metal band with a pop sheen were huge sellers in the 1980s on the back of songs like “Photograph” and “Pour Some Sugar on Me.”

Thanks to Jon Bon Jovi

Frontman Joe Elliott said he was initially ambivalent toward the honor until Jon Bon Jovi suggested it would change his life.

“When I look at the list of who’s in, it’s just obvious you’d want to be in that club, isn’t it?” he told Billboard earlier this year. “When you think that every band that means anything in the world, starting from the Beatles and the Stones and any artist that influenced them — your Chuck Berrys, your Little Richards, etc., etc. — then of course you want to be in. Why wouldn’t you?”

Def Leppard, Nicks and Roxy Music were voted in during their first years as nominees. Other 2019 nominees who didn’t make the cut included LL Cool J, Devo, Rage Against the Machine, MC5, John Prine, Todd Rundgren and Kraftwerk.

There’s some question about whether Radiohead will shrug its collective shoulder as an inductees. The English band seemed like generic grunge rockers on their initial hit “Creep,” but with the album “OK Computer” and beyond have become consistent sonic pioneers. Among its rock hall class, Radiohead has the most impact on the current music scene.

An ‘American thing’

In an interview with Rolling Stone earlier this year, Radiohead’s Jonny Greenwood said “I don’t care” when asked about the rock hall. Bandmate Ed O’Brien said, “culturally, I don’t understand it. I think it might be a quintessentially American thing.”

The Cure and frontman Robert Smith resist their initial label as goth rockers, champions of fans who like black makeup, black clothes and darkly romantic songs. They have a durable catalog of hits, including “Friday I’m in Love,” “Boys Don’t Cry,” “Pictures of You” and “Let’s Go to Bed.”

Roxy Music came out of the 1970s progressive rock scene and had hits with “Love is the Drug” and “More Than This.” Dapper member Bryan Ferry had a successful solo career and Brian Eno has been an influential producer.

The heyday of British rockers the Zombies’ career was the 1960s, with big sellers “She’s Not There” and “Time of the Season.”

The hall will announce ticket sales for March’s ceremony next month. HBO and SiriusXM will carry the event.
…

Actress and director Sondra Locke, who was nominated for an Academy Award for her first film role in 1968’s “The Heart is a Lonely Hunter” and went on to co-star in six films with Clint Eastwood, has died.

Locked died Nov. 3 at her Los Angeles home of cardiac arrest stemming from breast and bone cancer, according to a death certificate obtained by The Associated Press. She was 74. Authorities were promptly notified at the time, but her death was not publicized until RadarOnline first reported it Thursday. It is not clear why it took nearly six weeks to come to light.

Locke was best known for the six films she made with Eastwood, whom she dated for 13 years, starting with the Western “The Outlaw Josey Wales” in 1976 and ending with the Dirty Harry movie “Sudden Impact” in 1983.

Praised by critics

Born Sandra Louise Smith, she would later take on a stepfather’s last name and take on the stage name Sondra, Locke grew up in Tennessee, where she worked at a radio station and appeared in a handful of plays before winning a nationwide talent search in 1967 to be cast opposite leading man Alan Arkin in the movie adaptation of Carson McCullers’ 1940 novel “The Heart is a Lonely Hunter.”

She would win raves for the role along with nominations for a Golden Globe and an Oscar. Both awards went to Ruth Gordon for “Rosemary’s Baby.”

She had a run of unmemorable film and TV roles until meeting Eastwood on the set of “Josey Wales,” which he both directed and starred in.

Her career would mirror his for the next several years. The pair’s hit films also included the 1978 street-fighting and orangutan comedy “Every Which Way But Loose” and its 1980 sequel “Any Which Way You Can.”

Locke also played singer Rosemary Clooney in a 1982 TV biopic, and directed the 1986 film “Ratboy,” which flopped in the U.S. but was popular with critics in Europe.

End of charmed life

In 1989, Locke’s charmed life came to an end as Eastwood broke up with her, she later wrote. The locks were changed and her things were placed outside a home she thought had been a gift from Eastwood.

She sued Eastwood for palimony then later sued him for fraud saying a movie development deal he arranged for her was a sham to get her to drop the palimony suit. They settled the highly publicized lawsuit for an undisclosed amount during jury deliberations in 1996.

The following year she released her memoir, titled “The Good, the Bad and the Very Ugly: A Hollywood Journey,” which also detailed the double mastectomy and chemotherapy that came with her first bout with breast cancer.

She told the AP at the time that the title, a play on one of Eastwood’s films, was “applicable to the story.”

“I try to cover the good years as well as the bad and the ugly,” Locke said. “Also, that in even the worst ugly things there can sometimes be a lot that will make you a better person.’’

Locke had married actor Gordon Anderson in 1967. According to her death certificate, the two were still legally married when she died, and he was the person who reported her death. She described their relationship to the AP in 1997 as just good friends. A phone number listed in Anderson’s name rang without being picked up.
…

With the New Year just weeks away, New York taxi drivers have prepared their own unique gift to the city, a 2019 calendar featuring themselves. According to statistics, around 90 percent of yellow cab drivers are immigrants, and the calendar, which is a comedic take on the traditional pin-up, draws attention to this fact while being light and entertaining. Nina Vishneva reports from New York in this story narrated by Anna Rice.
…